Godzilla: King of the Monsters (2019) Full Hindi Dual Audio Movie Download 480p 720p HD-CAM [ हिंदी + English ]


IMDB Rating: 6.9/10
Movie name: Godzilla: King of the Monsters Full Movie In Hindi
Genres: Action | Adventure | Fantasy
Director: Michael Dougherty
Stars: Kyle Chandler, Vera Farmiga, Millie Bobby Brown
Movie Quality: 
720p | 480p | HD-CAM
File Size : 300MB | 900MB
Language: Hindi + English
Format: MKV | Mp4

Godzilla: King of the Monsters (2019) Hindi HD-CAM Dual Audio 480p & 720p Download Full Movie

Note : This Movie Only in Hindi Not Dual Audio

Download Link:Link1

Film Story: The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
Godzilla: King of the Monsters is just as impressively stupid as Kong: Skull Island, though, if this burgeoning MonsterVerse takes any cues from the forebears it now remakes steeped in exhausting CGI, increasingly “impressively stupid” is the trajectory this shared universe was bound to follow all along. What amounts to a loose remake of 1964’s Ghidorah, the Three-Headed Monster, pulling pieces from Ishiro Honda’s original 1954 Godzilla (David Strathairn, one of the few characters from Gareth Edwards’ 2014 reboot, shows up briefly to say the words “oxygen destroyer” as dead-seriously as possible), Michael Dougherty’s Godzilla 2 swells with too many boring human characters, competently sets up some sequels, thrives solely on its (sometimes awe-inspiring) monster fights and makes no fucking sense. So basically: pretty good Godzilla movie!

Dougherty has compared his film’s relation to Edwards’ like that of Aliens to Alien, a corollary that correctly steers one’s expectations for the sequel but shouldn’t be taken as anything more than that. As Honda’s own Mothra vs. Godzilla was to his first kaiju film—transforming a dire sci-fi tale of post-war trauma into a fantasy smorgasbord of quasi-myths, pop ballads and teensy-weensy twin monster caretakers affectionately referred to as the “Peanuts”—Dougherty’s vision ejects all serious ecological pondering for arch melodrama, eschewing all mystery for immediate spectacle. Within the first minute of the film we get a full glimpse of the giant larval Mothra spewing sticky goo all over a futuristic pseudo-governmental facility; 70 minutes later, Washington DC is under enough water to allow a high-tech battleship to float between its monuments, indulging in a satisfying bit of big budget annihilation porn for those of us fantasizing about just wiping this whole “America” experiment off the map and starting over. Whereas Edwards’ creature feature reveled in the big reveal, shrouding Godzilla in urban and meteorological artifice, Dougherty imagines a world of people no longer phased by the existence of Titans, of civilization accustomed to the apocalypse.

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